Scott C. Park ká akọkọ akọkọ akọkọ, Crossing the Line, jẹ ẹya-ara, ni irọrun ẹya ara ẹrọ ti awọn iṣẹ ti
ni awọn orilẹ-ede ti o ni iyanu iyanu ati awọn aṣa ti o ko ṣe iyanu.

Scott ṣe iṣeduro awọn iwe-aṣẹ yii lati ṣẹda organically, lati ṣẹda a eklektiki ṣugbọn oriṣiriṣi indie rock album,
ni aṣeyọri nipasẹ awọn aṣeyọri iyanu. Nibẹ ni o wa ailewu ati aṣeyọri nibi - fẹ Wilco's Yankee
Hotel Foxtrot ati akọkọ Pavement, ṣugbọn pẹlu a melodic sensitivity ti o tọju lati Nirvana ati akọkọ
Sheryl Crow.

Kọkasi awọn ọna ti wa ni vived-in, ṣiṣe pẹlu awọn synergy ti a daradara-oled live band ki o si a polished
studio ẹrọ. Ati nigbati Scott cites influences lati John Frusciante to Courtney Barnett,
ti awọn iwe-aṣẹ jẹ ẹya ara rẹ, ti o wa ninu awọn akọkọ akọkọ ati ti o ti ṣeto nipasẹ awọn ipinnu lati tẹ
aṣeyọri aṣeyọri ati ki o si aṣeyọri.

Aṣeyọri aṣeyọri ti awọn album jẹ awọn aṣeyọri aṣeyọri, kọọkan ti o wa ni aṣeyọri pẹlu aṣeyọri aṣeyọri. Awọn akọkọ
half of the album deals with the pragmatic slog of daily life and human experience, crossing the line
from youth to adulthood, while the second half deals with the transition from faith to skepticism. It’s
deeply autobiographical, but never alienating, Scott’s reflections are specific yet universally resonant.

One of the more poetic threads comes from his familial maritime tradition. “Crossing the line” refers not just to personal thresholds, but also to an old merchant navy ceremony for sailors crossing the
Equator, ibi ti awọn ẹya ara ati awọn traditions ti wa ni gbọdọ.

Opener ati akọkọ single ‘Rose Pink Sky’, ni a igbekale lori awọn àkọsílẹ-ọna-ọna-ọna ti awọn agbalagba,
ti ṣiṣẹ a ọjọ iṣowo, gbe awọn oṣooṣu, gbe si awọn iṣowo ti o ṣiṣe nipasẹ awọn iyanu ti iyanu. Awọn
lyrics ti wa ni gbọdọ pẹlu awọ (a nla ‘Don’t Stop Believin’ joke ni akọkọ meji) ati awọn guitar solo ni, ni
Awọn awọn ọrọ ti Scott, “like a slingshot rollercoaster launch”, gbajumo, gbigbe, ati ki o tobi gbọdọ.
‘Come Back To Me Dead’ ṣe awọn ti o dara julọ si Scott ká idunnu ati ki o jẹ awọn
aṣeyọri akọkọ ti awọn album: “‘ pẹlu gbogbo awọn Kristi ti o ba fẹ, awọn oju-iwe ti o wa nipa a fọto / Mo ti fi
aṣeyọri mi si Jesu ati awọn ti o si lọ si mi ti o ti wa ni ti wa ni ti wa ni ti wa ni ti wa.”

What makes Crossing the Line special is how unforced it feels, Scott C. Park isn’t trying to impress
you with studio wizardry or poetic grandstanding. He’s simply telling his story, whether it’s about losing faith, letting go of comfort, or trying to write a guitar solo that sounds like screaming into the Hebridean wind, and inviting you to find your own reflection in it.