<pfseg id="0">Glasgow ká gẹgẹbi gẹgẹbi gẹgẹbi gẹgẹbi Gẹgẹbi Gẹgẹbi Gẹgẹbi Gẹgẹbi Gẹgẹbi Gẹgẹbi Gẹgẹbi Gẹgẹbi Gẹgẹbi Gẹgẹbi Gẹgẹbi Gẹgẹbi Gẹgẹbi Gẹgẹbi Gẹgẹbi ‘Circuits’, tẹle lati ṣii lori February 20 nipasẹ Electric Honey Records. Lẹhin awọn ifihan ti awọn oniwe-ẹkọ singles ‘Tradeston’ and ‘Goth Parade’, Ati awọn ifilelẹ ti o ni awọn ifilẹ-ẹrọ ati awọn ifilẹ-ẹrọ, ‘Circuits’ n mu awọn ifilẹ-ẹrọ lori ọkọ ayọkẹlẹ lati awọn bọtini ti awọn bọtini.

Awọn ifilẹ-ẹrọ ati awọn ifilẹ-ẹrọ ati awọn ifilẹ-ẹrọ ati awọn ifilẹ-ẹrọ ati awọn ifilẹ-ẹrọ, ‘Circuits’ awọn fihan awọn agbara ti Poster Club lati fi awọn punk swagger pẹlu awọn oniwe-ẹrọ agbekale ti post-punk ati awọn titun wave awọn awọ. Ṣiṣe pẹlu awọn akori gita awọ, awọn song ni ki o gbọdọ lọ si iṣiro ti o ṣẹda, pe o ṣe atilẹyin awọn akọkọ ti iṣoro ati ara ẹni.

Poster Club ká akọkọ EP ẹgbẹ, Deterioration Parts 1 & 2, ti a fi sori ẹrọ ni ọdun 2023, ti ṣe awọn oniwe-iwe wọn si awọn Scotch music ile-iwe, eyi ti o tẹsiwaju si a gbe-sale-out show ni King Tut's.

Lẹhin ti o ba tẹlẹ pẹlu Electric Honey Records – awọn label ti o ṣe ifowosowopo fun awọn ikooni bi Biffy Clyro, Belle & Sebastian, ati Snow Patrol – aṣiṣe ti Poster Club ti wa ni o kan ti kọ. Awọn akọkọ single wọn pẹlu awọn label, 'Goth Parade', ti wa ni aṣeyọri lori awọn BBC Radio Scotland show ti Billy Sloan, ati awọn oniwe-aṣeyọri-aṣeyọri-aṣeyọri-aṣeyọri-aṣeyọri-aṣeyọri-aṣeyọri-aṣeyọri-aṣeyọri.

‘Circuits’ marks another chapter in Poster Club’s musical evolution. With its heartfelt lyricism, pacey riffs, and dramatic tempo shifts, the single exemplifies the band’s ability to blend authenticity and innovation. This isn’t a band tied to one sound—Poster Club uses a sonic palette of punk, techno and synth, and everything in between.

“‘Circuits’ is about opening up and letting someone truly see what’s inside you—both emotionally and literally,” explains vocalist Konrad. “The lyrics, ‘“rip me open, look at my circuits,” are raw and unfiltered, inspired by artists like Scott Hutchison of Frightened Rabbit and Brian Sella of The Front Bottoms, who have this incredible knack for honesty in their writing. It’s a concept that felt personal and urgent to explore.”

The song was a long time coming, with early ideas dating back to a guitar riff saved in a phone note from late 2018. A lineup change and the addition of a new drummer brought fresh energy to the track, revitalising it and setting the tone for the band’s evolving sound.

“O ti wa ni igbẹkẹle akọkọ laarin awọn iwe-aṣẹ ati ọna titun,” o si tẹsiwaju Konrad. ‘Tradeston’

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