Sabrina Carpenter sing paling anyar, "Please Please Please," wis njupuk dunia Spotify kanthi badai, njupuk posisi nomor 2 ing artis lan radio lagu saka 50 artis paling gedhe Spotify.

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Sabrina Carpenter sing paling anyar, "Please Please Please," wis njupuk dunia Spotify kanthi badai, njupuk posisi nomor 2 ing artis lan radio lagu saka 50 artis paling gedhe Spotify.

Sabrina Carpenter sing paling anyar, "Please Please Please," wis njupuk dunia Spotify kanthi badai, njupuk posisi nomor 2 ing artis lan radio lagu saka 50 artis paling gedhe Spotify.

In the last week, Sabrina Carpenter has surpassed Bad Bunny, Ed Sheeran, Travis Scott, and Kanye West on Spotify. We expect her to overtake Kendrick Lamar, Justin Bieber, and Dua Lipa by the end of the weekend on Juni 23rd, and Drake and Ariana Grande by next weekend—all before the release of her upcoming album "Short n' Sweet," scheduled for Agustus 23, 2024. This surge in popularity has been driven by just two singles from the album, "Espresso"and"Please Please Please."
The rapid rise of Carpenter may interest not only fellow artists who she is steamrolling but also the entire music industry, fans and stans, and haters alike. Numerous Spotify users have taken to Twitter/X to express frustration over being inundated with Sabrina Carpenter's music. Users report that her songs frequently appear on their playlists and are often played automatically after their preferred tracks. Our investigation into this phenomenon reveals staggering results: "Please Please Please" njupuk posisi nomer 2 ing 100% playlists Spotify Artist Top 50 utawa playlists lagu. Ing paling kasus, "Espresso" was found at number 8 on the same playlists.

The question arises: Has Sabrina Carpenter gi nggawe dua lagu paling viral ing sajarah karo "Espresso" lan "Please Please Please Please," utawa ana faktor liyane ing game? A pandhah ing Twitter/X ndadekake komentar akeh babagan masalah iki. Banyak pengguna mengeluh babagan "Espresso" lan "Please Please Please" muncul ing berbagai playlists, saka Rap lan 60 playlists kanggo Spotify AI DJ. "Espresso" lan "PPP____1__ tampaknya ana kabeh, lan pengguna Spotify ora gadhah. Tweet siji saka siji pengguna mengeluh babagan omnipresence saka Sabrina Carpenter ing playlists loro gabung luwih saka 300k like lan 40 yuta views
Some fans speculate about the use of payola, the illegal practice of paying for radio song placements without disclosure. Others suggest that Sabrina Carpenter might have leverage over Spotify’s founder, Daniel Ek. The theories and complaints are widespread. From our research, "Please Please Please" has taken the number 2 position in playlists for artists such as 21 Savage, 50 Cent, ABBA, Adele, aespa, Amy Winehouse, Angele, Arctic Monkeys, Ariana Grande, Artemas, A$AP Rocky, AUDREY NUNA, Ava Max, BABYMONSTER, Bad Bunny, Bee Gees, Benson Boone, Beyonce, Billie Eilish, Billie Holiday, Billy Joel, BINI, BLACKPINK, Britney Spears, Bruno Mars, Cardi B, Chapell Roan, Charli XCX, Christina Aguilera, Central Cee, Coldplay, Creedence Clearwater Revival, Daddy Yankee, Dasha, David Guetta, Demi Lovato, Destiny’s Child, Doja Cat, Dolly Parton, Drake, Dua Lipa, Ed Sheeran, elise rose, Elton John, Eminem, Etta James, Fart Fest, Fergie, FIFTY FIFTY, FKA twigs, FloyyMenor, Frank Sinatra, Future, Glass Animals, Gunna, Gwen Stefani, Harry Styles, Hillary Duff, Hozier, Imagine Dragons, J Balvin, Jay-Z, Jeff Buckley, JENNIE, Jennifer Lopez, Joni Mitchell, Jorja Smith, Jung Kook, Justin Bieber, Kanye West, Karol G, Katy Perry, Kehlani, Kendrick Lamar, Khalid, Kylie Minogue, Lady Gaga, Lana Del Rey, Laufey, Lauryn Hill, LE SSERAFIM, Lil Nas X, Lily Allen, Macklemore, Madison Beer, Mahmood, Marshmello, Martin Garrix, Maroon 5, Meghan Trainor, Metro Boomin, Michael Buble, Michael Jackson, Miley Cyrus, Mitski, Myles Smith, Neon Trees, NewJeans, NSYNC, Olivia Rodrigo, One Direction, OneRepublic, Paramore, Paul McCartney, Pitbull, Post Malone, Queen, Rauw Alejandro, Rihanna, Rob Grant, Royel Otis, Rvissian, Sam Smith, Saweetie, Selena Gomez, Sexyy Red, Shaboozey, Shakira, Sherine, Sia, Soulja Boy, Spice Girls, Suki Waterhouse, SZA, Tame Impala, Tate McRae, Taylor Swift, Teddy Swims, THE ANXIETY, The Chainsmokers, The Kid Laroi,The Pussycat Dolls, The Ronettes, The Strokes, The Temptations, The Weeknd, Travis Scott, Troye Sivan, Tommy Richman, Tony Bennett, Tracy Chapman, Twenty One Pilots, Victoria Monet, WILLOW.
Some of the more unusual times "PPP" showed up on our playlists were for artists like 21 Savage, 50 Cent, Eminem, ABBA, Bee Gees, Creedence Clearwater Revival, Etta James, Frank Sinatra, Queen, Sexyy Red, The Ronettes, The Strokes, The Temptations, and Tony Bennett.



After seeing a user on X/Twitter post about "PPP" playing after a fart track, we searched "Fart" on Spotify and created a Fart Radio, and "PPP" still took the 2nd position among the fart “songs.”

This is just a sampling. Numerous Spotify users on Twitter/X share similar stories. One user, for example, reported "PPP" as the number 2 track on their Eminem Artist Radio, whereas for us, "PPP" was not on our Eminem Artist Radio but on Eminem’s Houdini Radio. Results vary from account to account.
Pengguna X wis berbagi berbagai akun babagan cara "PPP" muncul ing playlists lan konteks sing ora ditunggu-tunggu.

Ano masalah signifikan karo apa Spotify nggunakake karo promosi Sabrina Carpenter iku yen saben kali iku nyedhiyakake "Espresso" utawa "PPP" kanggo pangguna ing playlists sing ora terkait utawa automatik muter lagu-lagu, perhatian sing terbatas lan wektu iku kanggo artis sing Spotify nyedhiyakake, lan ora musik sing kudu organik muter. Iku ngalihake perhatian saka artis liyane, ndadekake artis gedhe lan cilik, utamané artis indie ing ngendi saben pendengar, penggemar, lan royalty penting kanggo nyedhiyakake. Konsekuensi sing signifikan; kita estimasi sing promosi Sabrina Carpenter wis ngalihake nganti $2.5 yuta dolar saka artis liyane lan nganti 4 milyar
If artists do not reach 1,000 streams on their tracks within 12 months from a diverse pool of listeners, Spotify won't pay royalties and won't count those streams after 12 months. Ngluwihi perhatian saka pengguna kanthi ngetokake artists of choice means that many thousands of artists will not reach their royalty thresholds to be paid. This translates to less discovery, revenue, fans, merch sales, concert sales, album sales, etc., for other artists.
Ing sasi pungkasan, Sabrina Carpenter ngluwihi saka 58 yuta pendengar bulanan kanggo 74 yuta, ongkos ngluwihi 16 yuta. Dheweke saiki wis njupuk nganti 1.3 yuta pendengar anyar saben dina. Tambahan, tingkat konversi pendengar-ke-pengikut ing Spotify 12.7%, nalika rata-rata kanggo 20 artis paling gedhe ing Spotify yaiku 72.5%. Ing tulisan iki, Sabrina Carpenter dadi artis paling gedhe ing Spotify. Kita ngarepake dheweke ngakhiri akhir pekan minangka 10 paling gedhe, ngluwihi Kendrick Lamar, Justin Bieber, and Dua Lipa in short order, and reach the number 7 spot by next weekend, surpassing Drake and Ariana Grande—all before her album release. As Spotify keeps pushing Ms. Carpenter and she continues to overtake other artists, it is sure to upset the fans of these artists, and perhaps the artists themselves, who are losing both position and revenue from their own playlists to Spotify's favorite artists of choice.
Spotify kudu mbukak kekhawatiran saka artis kang playlists radio ora mung bakal ditutupi, nanging wis ngurangi posisi paling dhuwur kanggo lagu Carpenter. Iku mbukak kanggo ngurangi pendapatan lan pendengaran kanggo artis iki, sing bisa nyebabake karir sing serius. Spotify bisa kudu nindakake kompensasi kanggo penghasilan sing dikurangi. Fans lan pengguna Spotify uga kudu transparansi lan pengalaman pendengaran adil. Situasi saiki uga bisa ngertimbangake intervensi saka badan regulator kanggo njamin pengawasan lan praktek adil ing streaming musik. Yen Spotify terus promosi agresif, potensial kanggo backlash dikembangake, ora mung saka pengguna nanging uga saka industri musik liyane. Kebutuhan kanggo pendekatan sing luwih transparan lan adil kanggo promosi musik jelas, nyedhiyakake kabeh artis duwe kesempatan sing adil kanggo mbukak audien. Yen praktek sing


