Oju-iwe ti Atlantic Records, Yaelokre, tẹsiwaju pẹlu awọn titun single wọn, “To douse a scalded tongue” - Listen HERE.

<pfseg id="0">Ti o ba ti o ba ti o ba gbọdọ pe music ti o ba ti o ba ni agbara fun iyanu, iyanu iyanu ati iyanu ti Yaelokre yoo ṣe iyanu rẹ. Iyanu Filipino-Iceland - orukọ ti o wa ni Keath Ósk (o/o) - fọwọsi ọpọlọpọ awọn ẹya ara ẹrọ si awọn oniwe-aṣiṣe wọn: ailewu, ẹya ara ẹni ti o ni ifọwọsi nipasẹ iyanu iyanu ati iyanu pop ti o wa ni ailewu ati ki o gbọdọ gbọdọ; ati awọn iroyin ti o mu awọn ọna ti ara rẹ ati awọn iroyin si awọn iroyin ọpọlọpọ.

Awọn ipele ti awọn aye ti o ti ṣẹda jẹ tobi, bi nipa awọn iroyin ati lore. Ṣugbọn awọn oniwe-ọna ti o jẹ pataki rọrun. Awọn songs ti wa ni sori ẹrọ ni awọn aye ti iroyin ti Meadowlark and chart the adventures of four masked children who comprise a musical ensemble known as The Lark: Cole, Clémente, Peregrine, and Kingsley. Nwọn ṣiṣẹ gẹgẹbi awọn olori ti The Harkers, awọn olori ti o ti wa ni ifihan awọn akọkọ akọkọ ti iyanu, iyanu, ati iyanu. Ti o siwaju sii, Yaelokre ni awọn ọpọlọpọ awọn akọkọ ti o yatọ si awọn ayewo wọn.

Yaelokre yoo tun fi a titun EP odun yi ti a npe ni Origins. A prologue ti awọn iru, kọọkan song yoo ṣeto ọkan ninu awọn akọkọ lati awọn music ensemble ati awọn oniwe-ọna, gba awọn oniwe-ọna awọn ẹya ara wọn ati idunnu, ati ki o gba awọn awon eniyan lati gbajumo pẹlu awọn iroyin ti kọọkan eniyan fẹ lati ṣeto.

On wọn titun single, “To douse a scalded tongue,” Yaelokre sise ninu awọn akọkọ, Peregrine, eyi ti o mu vivid, poetic imagery ati a laifọwọyi-ibajẹ agbara. O tọju... "It’s a realization that children are raised with the expectations of being grateful to the point that it renders negative emotions; which are supposedly natural, to be a sign of dissent. This song was written as a reminder that we cannot truly combat how we react because it is within our nature to feel. Simply; we eat as we are hungry. The more I performed it live, the louder the track got; in comparison to the demo, a voice paired with a guitar, it felt easy for me to adjust to its new sound. A type of aggression, that again, felt so natural. Harmony in the chaos of it all.”

Their immersive, escapist stories are largely inspired by Yaelokre’s own life. The four Larks represent different stages of their childhood, and writing their songs felt cathartic for their creator. “This project revolves around lessons that I’ve learned from life.” Those recurring lessons vary in nature, but those wisdoms all feel like universal truths. “The main lesson is to listen, be kind, and spread compassion. Be courageous. Do not let yourself be fenced in. Chaos is natural, and it’s not always a bad thing. You have to mind the past so you can find a better future. You need to be open-minded. And most importantly, you need to live in the moment: now is more important than anything.”‍

Ati nigbati ni akọkọ aworan nibẹ nibẹ ni o wa a ọmọ-ẹrọ si awọn ọja, o nilo nikan lati iṣoro awọn ipinnu ti awọn ọrọ rẹ lati fi sori ẹrọ awọn igbese ti gothic horror eyi ti o tẹsiwaju awọn iyanu ti awọn agbalagba.

Ṣugbọn awọn ti o jẹ gbogbo ti o jẹ iyanu, o le tun gbọdọ pe nipa ohun ti a ti kọja ti Yaelokre jẹ fun ọpọlọpọ nikan. Eyi ko le wa siwaju siwaju sii. Lẹhin ti gbọdọ awọn ọja ni January 2024, Yaelkore ti a fi siwaju si ọpọlọpọ awọn ọna, eyi ti o ti wa ni gbọdọ 180 million awọn ẹsẹ lori Spotify. Awọn wọnyi wọn jẹ tun gbọdọ siwaju sii, pẹlu nla iṣeduro ni TikTok lati wọn 1.5 million awọn olumulo, a tobi 50 ojúewé ti o ti ṣe nipasẹ awọn olumulo Wiki, ati a subreddit ti o wa pẹlu awọn iwadi, awọn olumulo art, ati cosplay.

Awọn aṣayan fun Yaelokre jẹ pataki lati ri, awọn oniwe-aṣeyọri ti awọn music, awọn imọran, ati awọn folklore ti o ba gbọdọ si ọpọlọpọ ọpọlọpọ awọn media artistic ati ki o si ṣe fun a gbọdọ siwaju sii bi eyikeyi miiran - a tour ti wa ni lati wa ni ki o to akọkọ. Fun Keath, Yaelokre nfun awọn anfani lati pade ọpọlọpọ awọn aṣeyọri nipasẹ ọkan artistic outlet. Welcome to the fantastic world of this 16th-century minstrel reinstatement into the streaming age.

Yaelokre ti tẹsiwaju tẹsiwaju aye tour, "Foreword", eyi ti o ti tẹsiwaju laarin ọjọ (awọn akoko ni isalẹ). Ninu awon akọsilẹ fun awọn tour, wọn ti a fi ọrọ ti ohun ti o wa ni lati wa ni pẹlu a iyanu ti o dara julọ ni Brighton's Folklore Rooms, ibi ti wọn fi awọn oniwe-ọrọ wọn ni awọn song to a room of devoted fans. More to come.

Foreword Tour 2025 – UK, Europe & US (All dates now SOLD OUT)

UK & Ireland:
September 15 – Leeds, UK – Brudenell Social Club
September 16 – Manchester, UK – The Deaf Institute
September 17 – Edinburgh, UK – The Caves
September 19 – Dublin, Ireland – The Grand Social
September 21 – Bristol, UK – Thekla
September 22 – London, UK – The Tabernacle
September 23 – London, UK – The Tabernacle
September 24 – London, UK – The Tabernacle

Europe:
Kọkànlá Oṣù 26 – Brussels, Belgium – Witloof Bar
Kọkànlá Oṣù 28 – Paris, France – La Maroquinerie
Kọkànlá Oṣù 30 – Amsterdam, Netherlands – Melkweg
Oktober 2 – Cologne, Germany – Luxor
Oktober 3 – Copenhagen, Denmark – DR Studie 2
Oktober 5 – Hamburg, Germany – Kent Club
Oktober 6 – Berlin, Germany – Theater am Delphi
Kọkànlá Oṣù 8 – Warsaw, Poland – Niebo
Kọkànlá Oṣù 10 – Prague, Czechia – MeetFactory

United States:
Kọkànlá Oṣù 28 – Philadelphia, PA – First Unitarian Church
Kọkànlá Oṣù 30 – Washington, DC – The Atlantis
Kọkànlá Oṣù 1 – Boston, MA – Brighton Music Hall
Kọkànlá Oṣù 2 – New York, NY – Bowery Ballroom
Kọkànlá Oṣù 3 – Brooklyn, NY – Music Hall of Williamsburg
Kọkànlá Oṣù 5 – Woodstock, NY – Colony
Kọkànlá Oṣù 7 – Chicago, IL – Subterranean
Kọkànlá Oṣù 8 – Chicago, IL – Subterranean
Kọkànlá Oṣù 13 – Seattle, WA – Barboza
Kọkànlá Oṣù 14 – Portland, OR – Holocene
Kọkànlá Oṣù 15 – San Francisco, CA – The Independent (Early Show)
Kọkànlá Oṣù 15 – San Francisco, CA – The Independent (Late Show)
Kọkànlá Oṣù 18 – Los Angeles, CA – Masonic Lodge
Kọkànlá Oṣù 19 – Los Angeles, CA – Masonic Lodge
Kọkànlá Oṣù 22 – Pioneertown, CA – Pappy & Harriet’

Kọkànlá Oṣù 19:

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