Wells Ferrari ni awọn akọkọ ti Will Wells ati Mikey Ferrari<pfseg id="0">, eyi ti o gbọdọ wa lori awọn oju-iwe ti o wa lori awọn ipa-ọna ti awọn orilẹ-ede yii, gbọdọ ati gbọdọ nipasẹ ọpọlọpọ awọn iṣoro ati awọn iṣoro ti awọn ọmọde ṣaaju ki o to ti wa ni gbọdọ nipa music, kọọkan ninu awọn oniwe-ọna. Ile-iwe ni Los Angeles ni ọkan ninu awọn akoko tabi awọn miiran, nwọn ti fi awọn ọpọlọpọ ti awọn ọkunrin-kẹkẹkẹkẹtẹ-kẹkẹkẹtẹ-kẹkẹkẹtẹ-kẹkẹtẹ ninu awọn ọna ẹrọ – Mikey bi a pataki label solo artist, Will bi a guitar-gunsl‍

“It was instant, when we met in that session while we were jamming,” Ti o ba tẹsiwaju. "Mo ti mọ pe mo le ṣiṣẹ pẹlu Mikey ni ọna ẹya ara ẹrọ, ati lẹhin ti a gbọdọ gbọdọ lati ṣẹda pẹlu awọn akọkọ akọkọ, o kan diẹ ninu awọn akọkọ. A ni aṣayan, 'Let's just cook, let's make something and do it for fun.' It was the most natural thing in the world."

"Ati awọn ti a gba music lati gbangba ati ki o gbọdọ nikan, ati awọn ti a ti ṣafihan awọn ọrọ nitori awọn ọrọ wọnyi," Mikey afikun. “Ati awọn ti a ti kọ pe o le fẹ lati jẹ ọkan ninu nkan nkan ninu ohun nkan nitori awọn music, ati awọn ti o jẹ nipa eyi ti ọpọlọpọ ninu yi aṣayan jẹ nipa. Ati nibi ti awọn aṣayan wa bẹrẹ ninu. O jẹ iru aṣiṣe, ṣugbọn Mo ti wa ni bi, ‘Fuck, yi jẹ ọkunrin mi nibi.’ Ni ṣiṣe ati ki o kọ, o gba ọpọlọpọ ninu awọn iṣeduro ti o ni anfani lati fi o pẹlu awọn miiran; o kan tun fẹ o kan diẹ diẹ ẹni.”‍

<pfseg id="0">Tẹsiwaju lori awọn akọkọ akọsilẹ akọsilẹ ati awọn ipa music ti o pọju lati ṣẹda a akọsilẹ, awọn ẹya-ara ti mọ a gbọdọ ati agbara ninu awọn oniwe-iṣẹ wọn, ki o ko npe ni a iyanu ti iyanu. Awọn ẹya-ara ti o wa ni gbọdọ ni akọsilẹ, ati pe awọn ẹya-ara ti o wa ni ẹya-ara, nibẹ awọn ẹya-ara ti awọn ẹya-ara ti awọn music ti wa ni ọkan ninu awọn oniwe-ọpọlọpọ awọn ẹya-ara. Nigba ti o ba wa ni ọpọlọpọ awọn ibi ti 29 Palms, gẹgẹgẹbi Joshua Tree National Park, wọn bẹrẹ awọn akọsil Roots & Tides.

Laid out in full sun like a Nudie suit-wearing lizard on top of a bar-blues rock, the hallmark of a Wells Ferrari song will always be the twin voices. Trading verses and refrains then weaving together in moments of simple, gorgeous harmony, each singer sings his own heart out with urgency and raw emotion, yet the songs maintain a cool charm and never feel overwrought or disingenuous. “Gold Mine,” the first song the duo ever made together for the project, is filled with chipper crooning and upbeat guitar chime over a steady beat and an “I don’t even know who I am anymore” calling card, while “Powerlines” and its tales of fate, chasing demons, and falling on swords is a haunted, whiskey-fueled ride you could imagine being belted out in pitch dark on a humid summer night. Meanwhile, “Roots and Tides” is slick and catchy with its Dickey Betts slide riffs, sun-kissed tone, and musings on collision. As Will and Mikey will tell you, when it comes to Wells Ferrari, one plus one equals three. It is a shared offering, forged in heat and stillness yet infused with a kismet, kindred energy and kinetic spirit. Or whatever the hell you want to call it – they haven’t slowed down enough to care.‍

“Our music is more about inviting you into a world and less about buying into a person,” Ti o ba tẹsiwaju. “It’s about harmony, like a collective; that, and honesty. We don’t have crazy-clean production; we go to this house in Joshua Tree and it kind of sounds like shit and we make it work. We feel like we have stuff to say, and we want people to relate to that. It has to feel natural. The music should always live in that world, and I think it does.”

“Wells Ferrari is a fusion of our influences, but to us it sounds like a conversation,” Mikey says. “It sounds like two best friends talking to each other, in a conversation the audience can participate in, too. We share so many similar experiences, so being able to write about those things has a different context. Talking to your best friend feels far more human than being a solo artist trying to present it in a song. As a solo artist, it feels like you’re just talking to the audience; this feels so much more community-based because we’re having a conversation that people are observing, and everyone’s a part of it. Singing together, sounding like one voice in harmony, sounds like the voice of a human being. It just feels greater than each of us.”