
Lẹhin ifihan oṣu ọdun kan ti o tobi aṣa akọkọ akọkọ akọkọ akọkọ lati olokiki / sound artist Luke Elliott, Mo ti fi lẹsẹsẹ lẹsẹsẹ lẹsẹkẹsẹ lẹsẹkẹsẹ lati fi ọrọ aṣa akọkọ akọkọ akọkọ akọkọ akọkọ, "Even The Moon Is Leaving."

Lori diẹ ninu a gbajumo ifihan si kan ti o dara julọ ti music, awọn fidio yii ti wa ni ifihan nipa Every Somewhere ká akọkọ ti awọn ibaraẹnisọrọ laarin awọn eniyan ati awọn ti o tobi agbaye agbaye ati nfun a gbajumo aworan ti awọn music ti awọn aworan ti o dara julọ ati cosmic iyanu a la Emily Sprague ati Pauline Anna Strom. Every Somewhere ni Elliott ká akọkọ gbigbe pẹlu awọn irọrun Los Angeles ambient / iwadi label AKP Recordings, ati awọn ti o jẹ ninu apapọ ile-iṣẹ pẹlu Michelle Moeller, Ki Oni, Omar Ahmad, ati awọn miiran.
Luke Elliott, 'Even The Moon Is Leaving':
Luke Elliott jẹ olokiki, olokiki, ati synthesist ti o wa ni English lati bẹrẹ ni Amsterdam. On Every Somewhere, awọn akọkọ akọkọ akọkọ akọkọ AKP Recordings, Elliott lo sampling ati re-sampling, modular ati analog synthesizers lati ṣẹda a nla ati efervescent dreamworld.
Gẹgẹbi ọkọ ayọkẹlẹ ọkọ ayọkẹlẹ si UK ni 2023, Elliott ṣe ọkọ ayọkẹlẹ ibi-iwe, ti o ṣe atilẹyin fun awọn ti o wa ni irọrun ti awọn awọ ti o ti ṣe nipa eniyan. “Igbadun laarin awọn awọ-ọna ati awọn awọ-ọna,” Elliott wí pé, ti o ba ti wa ni a ibi ti o wa ni ailewu, a ibi ti o wa fun iṣoro pataki, ti o ba ti o ba wa nipa “tẹle si awọn awọ ti awọn eniyan gbọdọ pẹlu awọn awọ ti awọn awọ-ọna ati awọn oju” tabi nipasẹ awọn iroyin ti awọn orilẹ-ọna ti Zadar, ọpọlọpọ-ọna-ọna
<pfseg id="0">Ati ṣugbọn Every Somewhere jẹ diẹ ninu awọn ti o dara julọ, Elliott gbọdọ pe o jẹ "ti oju-iṣan." Awọn iṣowo laarin awọn eniyan ati awọn agbaye agbaye ti o dara julọ ti wa ni ṣẹda si awọn ti o dara julọ ibi-iwe ti o yoo fẹ fun awọn olori ti Dustin Wong, Joanna Brouk, tabi Tim Hecker. Ṣugbọn awọn ti o ba wa ni iṣoro nipa awọn ọna ti awọn agbara ti wa ni ifowosowopo – – tabi ti o mu. Elliott tẹsiwaju si a postcolonial ọna, a gbọdọ pẹlu awọn akọkọ ti awọn iṣowo Columbian, ati awọn iroyin ti awọn colonialism.</p
But the aesthetic serenity, perhaps, emerges from a central optimism. In creating Every Somewhere, Elliott says, “I imagined a new planet, safe for everyone, unbound from the human societal structures that permitted how we live in our world today.” It is an exploration of what Elliott calls a “Pre-Death Cosmosis, in which we do not have to wait until death to achieve connection of unity with the cosmos. It is not a distant dream but a present reality, waiting to be embraced.”
Voyaging patiently and thoughtfully between organic and digital textures, Every Somewhere vividly evokes a sense of wonder and an immutable freedom to imagine. These qualities are the soul of this music, sharing something profound in common with the work of Pauline Anna Strom.
Luke Elliott’s greatest strength is his ability to imagine. And Every Somewhere is indeed the sound of an artist imagining, dreaming of, and focusing on an alien world which could be our own.

Clandestine ti a ti iṣeto ni 2010 nipa awọn olumulo ti Northern Spy Records lati ṣe iranlọwọ si awọn etiquette ati awọn olumulo lati fi awọn music wọn. Loni, a ti tẹsiwaju lati fi a egbe ti awọn ọna olumulo, awọn tita olumulo, awọn specialists manufacture, ati awọn publishers ti o fi ọdun ti awọn music ati awọn label gbajumo lati fi fun awọn onibara wa. A wa ni specialized ni awọn tita ati iṣeduro ti awọn aworan ati adventurous music ati, ninu awọn ọdun kẹrin, ti a ṣe iranlọwọ lati fi diẹ sii ju ọpọlọpọ ọpọlọpọ awọn album.

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