Briston Maroney Tim jeung Indie Rock Icon Ben Kweller Pikeun "Poor Things (Feat. Ben Kweller)"
Acclaimed singer-songwriter Briston Maroney geus gabungkeun kakuatan jeung ikon indie rock Ben Kweller pikeun single anyar, “Poor Things (Feat. Ben Kweller),” nu sadia ayeuna via Atlantic Records HERE.
<pfseg id="2">“Poor Things (Feat. Ben Kweller)” ngajadikeun spin kolaboratif anyar dina “Poor Things,”, salah sahiji sababaraha track standout nu diwanohkeun dina album studio ketiga Maroney, Jimmy, sadia di sakuliah ayeuna HERE
"@Kuring ti dinten kahiji kuring kapanggih Briston jeung nelepon musikna, kuring nyaho urang bakal jadi teman hebat, "kata Ben Kweller. "Dia salah sahiji pangalusna di genre anyar tina artis rock nu ngabalukarkeun torch tina sinis jeung heartfelt tones nu nyieun urang ngarasa kawas urang geus ngobrol jeung teman lama. 'poor things' mangrupakeun ode ka masa lalu urang jeung ka keberanian pikeun maju ngayakeun lamun arah nu teu dijangka."
JIMMY ieu co-produsén ku Maroney jeung Alex Farrar (Serdah, MJ Lenderman, Waxahatchee), sarta album psychedelically-inspirated nempo Maroney eksploring dichotomy anu mendalam ti dibesarkan dina dunya dual salaku anak tina perceraian, shuttling antara roh iblis-may-ngawetkeun ibunya rural North Florida jeung kahirupan intensif tekanan hiji murid sekolah Katolik di ayahnya Knoxville, TN. Highlights kaasup tracks sahenteuna pribadi, guitar-driven salaku "</pfseg>Pirateutik,” “Pirateutik," jeung "Better Than You," sakabéh ditambahkeun ku video musik resmi streaming ayeuna di YouTube. Jimmy dipeunteun ku flurry of applause ti outlets kayaning Consequence of Sound, FLOOD, Melodic Magazine, sarta Ones To Watch, nu ngabalukarkeun eta salaku “a crescendo of possibilities, hiji novel visual set ka musik nu runtuyan antara imajinasi bodoh, introspeksi mendalam jeung kesadaran diri cheeky, hiji hommage ka aya, pikeun jadi diri anjeun ... hangat dina kesadaran, luhur dina percobaan nu ngagambarkeun lagu anu indah, tapi masih dipenuhi ku curious terang nu nyieun musik nya jadi gancang ti album saméméh. "
Maroney – anu merayakan kedatangan JIMMY dengan ngalawan kerumunan sakuliah Amérika Kalér sabudeureun Peach Pit dina co-titledna "Long Hair, Long Life Tour," kaasup stops di tempat-tempat anu terkenal di dunya kayaning New York City's The Rooftop di Pier 17, San Fransisco, Bill Graham Civic Auditorium CA, Morrison, CO Red Rocks Amphitheatre, jeung Los Angeles, CA's Greek Theatre - réngsé ngumumkeun rencana pikeun anjeunna 4nu anual Briston Maroney Presents: Paradise, festival tilu malam dijadwalkeun pikeun Nashville, TN 'The Blue Room' dina November 5-7. Kabéh tilu tanggal bakal ngagaduhan headline set ti Maroney kaasup pangalaman ti Eden Joel, Cameron Schmidt, Harriette, ash tuesday, Michigander, jeung Bridey Costello. Tiket pikeun Briston Maroney Presents: Paradise naonkeun di jualan dina ayeuna dina 10 AM (CT) HERE. Pikeun rinci lengkep, mangga nempo www.bristonmaroney.com/#tour
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BRISTON MARONEY PRESENTS: PARADISE (4TH ANNUAL FESTIVAL)
November 5-7, 2025
The Blue Room, Nashville, TN
NIGHT 1 – November 5
Briston Maroney
Eden Joel
Cameron Schmidt
NIGHT 2 – November 6
Briston Maroney
Harriette
pfseg 2 – November 3
NIGHT 3 – November 7
Briston Maroney
Michigander
Bridey Costello
Contact jeung Briston Maroney:
Pasti di awal, Briston Maroney teu hayang disebut album ketiga nya explosive jeung engrossing JIMMY. Anjeunna hayang disebut eta Jellyfish<pfseg id="0">, ngaran dicokot ti puisi anjeunna ditulis nalika anjeunna nine: "Jellyfish / The whole ocean / But nowhere to go." Hiji taun saméméh Maroney ditulis lagu kahiji na loba taun saméméh anjeunna boga basa pikeun ngécéskeun naon anjeunna ngarasakeun, depresi. puisi ieu hiji momen pivotal pikeun Maroney, saprak anjeunna tiba-tiba paham yén anjeunna bisa ngagunakeun seni jeung ekspresi diri - dina titik ieu, puisi; pikeun dua dekade panungtungan, utamana musik - pikeun mantuan ningali kakuatan dina pikiranna, haté, jeung kahirupan. JIMMY, a song cycle about scraping the bottom of mental, social, and emotional barrels and holding on long enough to do what can sometimes seem like life’s true masterpiece: simply being yourself.
Maroney’s folks split up before he was a teenager. Like so many kids, he spent the rest of youth shuttling between two places. With his father in the small and quiet city of Knoxville, Tenn., he was relatively privileged but pressured, a Catholic school student on whom great expectations were placed. With his mother in north Florida, a landscape more raw and real than almost any other in the continental United States, he was surrounded by country folks who only seemed to give a damn about one another. They’d show up for oyster roasts and get red-wine drunk on Saturday, then be spiffy for church by Sunday morning.
Maroney didn’t fit in with either deme, really. He was the country guy who loved fishing at dams with his dad in Knoxville, the city slicker Catholic schoolkid back among the mangroves and slash pines. But he was drawn to the devil-may-care spirit of the Floridians, the folks who only wanted to look after each other and themselves. There was one man in particular—perpetually clad in denim shorts and a white Margaritaville T, occasionally a durag—that caught Maroney’s attention. Sure, maybe he was a redneck, but “he was a good friend who people loved,” Maroney remembers. He became the inspiration for JIMMY, for these songs about trying to be nothing more than yourself.
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