
Los Angeles-based acoustic pop duo Wells Ferrari have shared their deeply reflective new single, “Long Way Home,” available everywhere now HERE.
“‘Long Way Home’ jẹ ọrọ ti a ti kọ ni akoko ti a ti ko ni iyanu lati, bi a ti ṣàbẹwò lati fi 29 Palms, nibi ti a fi gbogbo awọn music wa,” wí pé Wells Ferrari. “O jẹ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ ọrọ
Produced by Wells Ferrari with longtime collaborator Garrett Hall (Evan Honer, Nolan Taylor, Joy Oladokun), “Long Way Home” marks the third and latest single from the duo’s eagerly anticipated new EP, arriving at last later this summer. The project was previously heralded by the heartbreaking “Already Gone” and “Bending,” both available everywhere now. Wells Ferrari – who recently supported Daniel Rodriguez at the legendary Pappy & Harriet’s in Pioneertown, CA – will celebrate their new music by joining fellow Californian tunesmith Evan Honer as special guests on his upcoming UK tour, beginning August 16 at Dublin, Ireland’s The Academy and then traveling through the month. For details, please see www.wellsferrari.com/tour.

Wells Ferrari Tour 2025:
August
16 – Dublin, Ireland – The Academy
18 – Glasgow, UK – Oran Mor
20 – Manchester, UK – Manchester Club Academy
21 – London, UK – Islington Assembly Hall
All dates supporting Evan Honer
Connect with Wells Ferrari:
Wells Ferrari ni awọn agbalagba ti Will Wells and Mikey Ferrari, eyi ti o gbọdọ wa lori awọn oju-iwe ti o wa lori awọn ipa-ọna ti awọn orilẹ-ede yii, gbọdọ ati gbọdọ nipasẹ ọpọlọpọ awọn iṣoro ati awọn iṣoro ti awọn ọmọde ṣaaju ki o to ti wa ni gbọdọ nipa music, kọọkan ninu awọn oniwe-ọna. Ile-iwe ni Los Angeles ni ọkan ninu awọn akoko tabi awọn miiran, nwọn ti fi awọn ọpọlọpọ ti awọn ọkunrin-kẹkẹkẹkẹtẹ-kẹkẹkẹtẹ-kẹkẹkẹtẹ-kẹkẹtẹ ninu awọn ọna ẹrọ – Mikey bi a pataki label solo artist, Will bi a guitar-gunsl
“It was instant, when we met in that session while we were jamming,” Will wí pé. “I knew I could relate to Mikey in a unique way, and after we hung out and played together that first time it just kind of never stopped. We had this connection, ‘Let’s just cook, let’s make something and do it for fun.’ It was the most natural thing in the world.”
"Ati awọn ti a gba music lati gbe ati ki o gbọdọ nikan, ati awọn ti a ti ṣaaju gbe awọn songs nitori awọn ẹya ara rẹ," Mikey adds. “We’ve learned that you can feel like a part of something because of the music, and that’s what so much of this project is about. And that’s where our friendship kicks in. It sounds kind of cringe, but I was just like, ‘Fuck, this is my guy right here.’ In performing and writing, it takes so much of the pressure off by being able to share it with each other; you just feel so much less alone.”
Tẹsiwaju lori awọn akọkọ akọsilẹ akọsilẹ ati awọn ipa music ti o pọju lati ṣẹda a akọsilẹ, awọn ẹya-ara ti mọ a gbọdọ ati agbara ninu awọn oniwe-iṣẹ wọn, ki o ko npe ni a iyanu ti iyanu. Awọn ẹya-ara ti o wa ni gbọdọ ni akọsilẹ, ati pe awọn ẹya-ara ti o wa ni ẹya-ara, nibẹ awọn ẹya-ara ti awọn ẹya-ara ti awọn music ti wa ni ọkan ninu awọn oniwe-ọpọlọpọ awọn ẹya-ara. Nigba ti o ba wa ni ọpọlọpọ awọn ibi ti 29 Palms, gẹgẹgẹbi Joshua Tree National Park, wọn bẹrẹ awọn akọsil Roots & Tides.
Laid out in full sun like a Nudie suit-wearing lizard on top of a bar-blues rock, the hallmark of a Wells Ferrari song will always be the twin voices. Trading verses and refrains then weaving together in moments of simple, gorgeous harmony, each singer sings his own heart out with urgency and raw emotion, yet the songs maintain a cool charm and never feel overwrought or disingenuous. “Gold Mine," awọn akọkọ song ti awọn duo ti a ṣe nigbagbogbo fun awọn ọja, ti wa ni ipele pẹlu chipper crooning ati upbeat guitar chime lori a steady beat ati a "I don’t even know who I am anymore” gbigbe kaadi, nigbati “Powerlines” and its tales of fate, chasing demons, and falling on swords is a haunted, whiskey-fueled ride you could imagine being belted out in pitch dark on a humid summer night. Meanwhile, “Roots and Tides” is slick and catchy with its Dickey Betts slide riffs, sun-kissed tone, and musings on collision. As Will and Mikey will tell you, when it comes to Wells Ferrari, one plus one equals three. It is a shared offering, forged in heat and stillness yet infused with a kismet, kindred energy and kinetic spirit. Or whatever the hell you want to call it – they haven’t slowed down enough to care.
“Our music is more about inviting you into a world and less about buying into a person,” Will wí pé. “It’s about harmony, like a collective; that, and honesty. We don’t have crazy-clean production; we go to this house in Joshua Tree and it kind of sounds like shit and we make it work. We feel like we have stuff to say, and we want people to relate to that. It has to feel natural. The music should always live in that world, and I think it does.”
"Wells Ferrari ni a fusion ti awọn aṣoju wa, ṣugbọn fun wa o fọwọsi bi a ibaraẹnisọrọ," Mikey says. “Ti o jẹ bi meji ti o dara ju awọn ọkunrin nṣiṣẹ si miiran, ni a ibaraẹnisọrọ ti awọn aṣayan le wa ni iṣeduro, tun. A gbagbe ọpọlọpọ awọn gbajumo kanna, ki o si ni anfani lati ṣẹda nipa awọn ohun wọnyi ni kan diẹ ibi. Ibalopo pẹlu awọn ti o dara julọ ọkunrin rẹ jẹ ọpọlọpọ siwaju sii ti o jẹ olokiki ti o ba fẹ lati ṣẹda o ninu kan song. Bi a solo artist, o jẹ bi o jẹ nikan nṣiṣẹ si awọn aṣeduro; eyi jẹ diẹ ninu ọpọlọpọ awọn aṣeduro ibi nitori a ti a ba wa ni a ibaraẹnisọrọ nitori awon eniyan ti awon en
