Cameron Whitecomb Headline I've Got Options Tour
Acclaimed singer-songwriter Cameron Whitcomb has announced a new series of US headline dates, continuing what has proven the biggest live run of his career. The I’ve Got Options Tour gets underway August 5 at Minneapolis, MN’s famed First Avenue and then travels until mid-November. Highlights include an eagerly awaited two-night stand at West Hollywood, CA’s historic Troubadour (October 4-5). Support on select dates comes from Jonah Kagen and Tayler Holder. General on-sales start Friday, June 13 at 10:00 am (local). For complete details and ticket information, please visit thecamwhitcomb.com.
Kẹhin ti o ti tẹsiwaju ọpọlọpọ awọn ọdun ti o tẹsiwaju lori ọkọ ayọkẹlẹ, Whitcomb ti wa ni anfani lati mu awọn imọran lati ṣiṣe pẹlu a nonstop live iroyin eyi ti o ni yi kẹhin ni CMA Fest Presented nipa SoFi ni Nashville, TN, pẹlu awọn iroyin ni Spotify House (Ọjọ Ẹtì, June 6 ni 1:00 pm) ati awọn Good Molecules Reverb Iroyin (Ọjọ Ẹtì, June 7 ni 2:45 pm). The Nanaimo, BC-based artist's stacked live iroyin tẹsiwaju ni Oṣu Kẹsán pẹlu awọn tẹsiwaju kẹhin ti rẹ gbajumo Hundred Mile High Tour, pẹlu a Canadian run eyi ti o gba diẹ ẹ sii ju 80% ti gbogbo awọn tiketi ti o tẹsiwaju nigba ti o tẹsiwaju ṣaaju ki awọn box office ti wa ni aṣayan fun awọn agbaye. Awọn akọsilẹ pẹlu awọn ti o tẹsiwaju ojula ile-iṣẹ meji-ọjọ ni Vancouver, awọn gbajumo Commodore Ballroom ti BC (July 17, 22) ati Kelowna, BC's Revelry (July 25-26). Awọn akọsilẹ akọsilẹ ni awọn ipo ti awọn festival ni awọn ipo bi Calgary, AB's Calgary Stampede (July 10), a ti tẹsiwaju tẹsiwaju US headline show ni Seattle, WA's Showbox SoDo (July 18 Hundred Mile High Tour.
Cameron Whitcomb on tour:
June
7 – Nashville, TN – CMA Fest Apejuwe nipasẹ SoFi
July
5 – Port Alberni, BC – The KCC (SOLD OUT)
10 – Calgary, AB – Calgary Stampede †
17 – Vancouver, BC – Commodore Ballroom (SOLD OUT)
18 – Seattle, WA – Showbox SoDo
19 – Redmond, OR – Fairwell Festival †
22 – Vancouver, BC – Commodore Ballroom (SOLD OUT)
23 – Victoria, BC – Capital Ballroom (SOLD OUT)
25 – Kelowna, BC – Revelry (SOLD OUT)
26 – Kelowna, BC – Revelry (SOLD OUT)
29 – Edmonton, AB – Midway Music Hall
30 – Edmonton, AB – Midway Music Hall (SOLD OUT)
August
1 – Saskatoon, SK – Coors Event Centre (SOLD OUT)
2 – Winnipeg, MB – Burton Cummings Theatre (SOLD OUT)
5 – Minneapolis, MN – First Avenue
6 – Milwaukee, WI – The Pabst Theater +
8 – Oro-Medonte, ON – Boots & Hearts Festival †
16 – Montreal, QC – Lasso †
22 – Cologne, Germany – Sound of Nashville Open Air
23 – Munich, Germany – Backstage Werk
24 – Berlin, Germany – Kesselhaus
26 – Copenhagen, Denmark – Store VEGA
28 – Stockholm, Sweden – Nalen
September
1 – Oslo, Norway – Rocafeller
3 – Amsterdam, Netherlands – Paradiso
4 – Paris, France – La Maroquinerie
5 – London, UK – Electric Brixton
7 – Manchester, England – Band on the Wall
8 – Glasgow, UK – Saint Luke’s
26 – Portland, OR – Wonder Ballroom
27 – Eugene, OR – WOW Hall
30 – Sacramento, CA – Ace of Spades *
October
1 – San Francisco, CA – The Regency Ballroom *
3 – San Diego, CA – Music Box *
4 – West Hollywood, CA – Troubadour *
5 – West Hollywood, CA – Troubadour *
8 – Phoenix, AZ – The Van Buren *
10 – Denver, CO – Gothic Theatre
12 – Fort Collins, CO – Aggie Theatre
15 – Fayetteville, AR – George’s Majestic Lounge *
17 – Fort Worth, TX – Tannahill’s Tavern & Music Hall *
18 – Austin, TX – Scoot Inn *
21 – New Orleans, LA – Tipitina’s *
23 – Oxford, MS – The Lyric Oxford *
24 – Nashville, TN – Brooklyn Bowl Nashville *
25 – Atlanta, GA – Terminal West *
29 – Oxford, OH – Brick Street Bar (SOLD OUT)
30 – Lakewood, OH – The Roxy (SOLD OUT)
31 – McKees Rocks, PA – Roxian Theatre (SOLD OUT) +
November
3 – Columbus, OH – Newport Music Hall ^
5 – Louisville, KY – Mercury Ballroom ^
7 – Knoxville, TN – The Mill & Mine ^
8 – Birmingham, AL – Saturn ^
12 – Columbia, SC – The Senate ^
13 – Georgia Theatre – Athens, GA ^
14 – Charleston, SC – Music Farm ^
*Support From Jonah Kagen
^ Support Lati Tayler Holder
† Festival Performance
+ Upgraded Venue
Connect with Cameron Whitcomb:
WEBSITE | FACEBOOK | INSTAGRAM | TIKTOK | YOUTUBE | PRESS SITE
Awọn akoko ni o wa lori 7M ojoojumọ ojoojumọ lori Spotify, diẹ ẹ sii ju 3M awọn olumulo lori awọn ọna asopọ, ati diẹ sii ju 300M ni agbaye streamings ati kọja, Whitcomb ni o wa ni o dara ninu eyi ti o ti wa ni ṣeto bi a ipo ti 2025, pẹlu awọn ti o ti tẹsiwaju ibi ti rẹ titun single, "Gasoline & Matches," ti o wa nipa Atlantic Records HERE. Produced by frequent collaborator Jack Riley (Knox, Grace VanderWaal) and co-written by Whitcomb, Riley, and singer-songwriter Chance Emerson, the incendiary track reminds us that while you can destroy the physical reminders of a relationship, you can’t burn the memories.
“Gasoline & Matches” tẹsiwaju akọsilẹ akọsilẹ akọsilẹ akọsilẹ akọsilẹ akọsilẹ akọsilẹ akọsilẹ akọsilẹ akọsilẹ, “Bad Apple,” eyi ti o ti tẹsiwaju bi awọn #2 Most Added track on Alternative Radio outlets nationwide on release. Produced by Jack Riley and co-written by Whitcomb, Riley, Nolan Sipe, and Cal Shapiro (co-writer of Alex Warren’s #1 akọsilẹ akọsilẹ akọsilẹ akọsilẹ, “Ordinary”), awọn akọsilẹ mu Cameron tẹsiwaju akọsilẹ akọsilẹ akọsilẹ akọsilẹ akọsilẹ ni aaye titun,one bad apple can spoil the barrel” lati tẹsiwaju pẹlu aworan ti bi awọn ohun ti o le wa ni o dara, ṣugbọn o kan ti o dara nigbagbogbo. A ti wa ni akọkọ live performance video ti wa ni gbigbe bayi ni YouTube HERE.
Kọkànlá ojoojumọ ti Apple Music's Today Country ati ki o ti a npe ni awọn Spotify ati Amazon Music's 2025 Artists To Watch aworan bi daradara bi Shazam's Fast Forward 2025, Whitcomb's ojoojumọ irọrun ti o wa ni tun ri o si tun ri awọn agbara pẹlu eyin indie folk artist Evan Honer fun awọn raw ati ki o rọrun collaborative single, "My Expense" pẹlu awọn oniwe-ẹrọ-ọna "Options" ati ki o tobi-ni-ọna-ọna-ọna hymnu "Hundred Mile High." Awọn kẹhin ti o ti gba akọkọ-ọjọ akọkọ nipa diẹ ẹ sii ju 1.6M ati awọn iroyin apọju lati MTV, TonightThe return of modern folk was written in the stars… Cameron Whitcomb enters the conversation with ‘Hundred Mile High.’ The banjos pump the song forward, beckoning listeners on a cross-country road trip.”
2025 kicked off with the release of “Medusa (Acoustic),” a new stripped-down rendition of his captivating fan favorite, “Medusa,” available now HERE. Featured as one of Billboard’s “5 Must-Hear New Country Songs,” upon release, the original version of “Medusa“ has quickly amassed over 100M global streams and counting.
All this follows a breakthrough 2024 for the fast-rising 21-year-old singer-songwriter that featured the release of his remarkable debut EP, Quitter, available everywhere now HERE. Partly inspired by his journey in overcoming addiction, the acclaimed collection - includes profoundly personal singles including “Love Myself“ and the soul-searching title track, “Quitter,” the latter of which was praised by Billboard as “a iyanu folk track ni awọn fọto ti Noah Kahan ti o ṣe nipasẹ a kick-clap beat ati Whitcomb's growling vocal.“Quitter,”Quitter", eyi ti iroyin Whitcomb ká ibiti o lati gbe addiction, siwaju sii ṣe iroyin bi rẹ akọkọ singles lati gba awọn Billboard Canadian Hot 100 - awọn oniwe-ọpọlọpọ awọn oniwe-ọpọlọpọ awọn oniwe-ọpọlọpọ awọn oniwe-ọpọlọpọ ni akoko. Whitcomb gbọdọ nipasẹ awọn ajo North America lori rẹ wide-ranging Quitter Tour, a hugely successful run of headline dates that included sold-out shows at such renowned venues as Nashville, TN’s The Mil at Cannery Hall, New York City’s Mercury Lounge, and more.
One of the most captivating new songwriters of his generation, Cameron Whitcomb turns the most candid details of his real-life experience into songs with a strangely exhilarating power. Hailing from British Columbia’s Vancouver Island, Whitcomb left home at age 17 and got a job working on a pipeline, later spending much of his downtime singing karaoke and posting covers on Reddit. When an American Idol iṣowo ti a ti tẹsiwaju fun awọn oniwe-ọrọ rẹ, o ti wa ni aaye lori awọn show's 20th season and emerged as a top 20 finalist. Whitcomb then immersed himself in learning to write songs while deep in the process of getting sober. After making his label debut with 2024’s “Rocking Chair” – which amassed over 40M combined views across socials prior to its premiere – Whitcomb took off on a fast ascent that soon found him embarking on his first-ever headline run, the sold-out Quitter Tour.
