Briston Maroney Teams tare da Indie Rock Icon Ben Kweller For "Poor Things (Feat. Ben Kweller)"
Acclaimed singer-songwriter Briston Maroney is joining forces with indie rock icon Ben Kweller for the brand new single, “Poor Things (Feat. Ben Kweller),” available now via Atlantic Records HERE.
“Poor Things (Feat. Ben Kweller)” puts a fresh collaborative spin on “Poor Things,” one of the many standout tracks featured on Maroney’s recently released third studio album, Jimmy, samuwa a kowace rana HERE
"Kai daga cikin biyu na samu Briston da kuma sa mu music, na san cewa za mu zama kyau abokan ciniki, "ya ce Ben Kweller. "Ani ne daya daga cikin mafi kyau a cikin sabon zane na rock artists wanda yana ƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙ
JIMMY was co-produced by Maroney with Alex Farrar (Wednesday, MJ Lenderman, Waxahatchee), and the psychedelically-inspired album sees Maroney exploring the profound dichotomy of growing up in dual worlds as a child of divorce, shuttling between the devil-may-care spirit of his mother’s rural North Florida and the intensely pressured life of a Catholic school student in his dad’s Knoxville, TN. Highlights include such deeply personal, guitar-driven tracks as “Ayyuka mai kyau,” “Tomatoes," da kuma "Better Than You," duk haƙƙoƙoƙoƙoƙoƙoƙoƙoƙoƙoƙoƙoƙoƙoƙoƙoƙoƙoƙoƙoƙoƙoƙoƙoƙoƙoƙo YouTube. Jimmy buƙatar da sha'awar sha'awar daga kayayyakin kamar Consequence of Sound, FLOOD, Melodic Magazine, da Ones To Watch, wanda ya gabatar da shi a matsayin "a crescendo of possibilities, a visual novel set to music that rifts between silly imagination, profound introspection and cheeky self-awareness, a tribute to existing, to be oneself… yaruwa a cikin kwarewa, ƙarfi a cikin kwarewa da ke ƙunshi kyau songs, amma ba tare da farin gwiwa wanda ya sa mu music da kyau daga gabatarwar albums. "
Maroney – wanda ya gabatar da ƙaddamar da JIMMY dangane mutane a cikin North America, tare da Peach Pit a cikin co-tallace-tallace "Long Hair, Long Life Tour," ciki har da tsuntsaye a matsayin duniya mafi wurare kamar New York City's The Rooftop a kan Pier 17, San Francisco, CA's Bill Graham Civic Auditorium, Morrison, CO's Red Rocks Amphitheatre, da Los Angeles, CA's Greek Theatre - karshe nuna hanyoyi ga 4th annual Briston Maroney Presents: Paradise, a three-night festival slated for Nashville, TN’s ‘The Blue Room’ on November 5-7. All three dates will feature a headline set from Maroney along with performances from Eden Joel, Cameron Schmidt, Harriette, ash tuesday, Michigander, and Bridey Costello. Tickets for Briston Maroney Presents: Paradise gudu a kan sayarwa a yau a 10 AM (CT) HERE. Don ƙarin dubawa, danna zuwa www.bristonmaroney.com/#tour
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BRISTON MARONEY PRESENTS: PARADISE (4TH ANNUAL FESTIVAL)
Nuwamba 5-7, 2025
The Blue Room, Nashville, TN
Ayyukan 1 – Nuwamba 5
Briston Maroney
Eden Joel
Cameron Schmidt
NIGHT 2 – Nuwamba 6
Briston Maroney
Harriette
ash tuesday
NIGHT 3 – Nuwamba 7
Briston Maroney
Michigander
Bridey Costello
Gungura tare da Briston Maroney:
Bakin a farkon, Briston Maroney ba ya so don kira ta m da kuma m albarka na albarka na albarka JIMMY. Ya so ya rubuta shi Jellyfish, sunan da aka ƙunshi daga wani lissafi da ya rubuta a lokacin da ya dace: "Jellyfish / The entire ocean / But nowhere to go." Yana da shekara kafin Maroney ya rubuta na farko na lissafi da kuma shekaru da suka wuce da shi da lissafi don karanta abin da ya zo, depressiya. Wannan lissafi shi ne mai ban sha'awa ga Maroney, kamar yadda ya buga cewa ya iya amfani da lissafi da self-expression - a lokacin da haka, lissafi; a cikin shekaru biyu da suka wuce, mafi girma na lissafi - don taimakawa don taimakawa da albarkatun a kansa, gado, da kuma rayuwa. JIMMY, a song cycle about scraping the bottom of mental, social, and emotional barrels and holding on long enough to do what can sometimes seem like life’s true masterpiece: simply being yourself.
Maroney’s folks split up before he was a teenager. Like so many kids, he spent the rest of youth shuttling between two places. With his father in the small and quiet city of Knoxville, Tenn., he was relatively privileged but pressured, a Catholic school student on whom great expectations were placed. With his mother in north Florida, a landscape more raw and real than almost any other in the continental United States, he was surrounded by country folks who only seemed to give a damn about one another. They’d show up for oyster roasts and get red-wine drunk on Saturday, then be spiffy for church by Sunday morning.
Maroney didn’t fit in with either deme, really. He was the country guy who loved fishing at dams with his dad in Knoxville, the city slicker Catholic schoolkid back among the mangroves and slash pines. But he was drawn to the devil-may-care spirit of the Floridians, the folks who only wanted to look after each other and themselves. There was one man in particular—perpetually clad in denim shorts and a white Margaritaville T, occasionally a durag—that caught Maroney’s attention. Sure, maybe he was a redneck, but “he was a good friend who people loved,” Maroney sani. Ya zama sha'awar da JIMMY, domin wadannan songs game da kwarewa don zama ba kawai ka.
