<pfseg id="0">American-born, Glasgow-based artist ကို A. Wesley Chung တစ်ဦးကအသစ်တံဆိပ် ‘Sunshine (You Know You Should)’ နှင့်အတူရပ်တည်ထောင်ခဲ့သည်, အဆိုပါဂုဏ်ယံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆ

<pfseg id="0">တစ်ဦးက disc-approaching အချိန်, gospel piano နှင့် Chung ၏အာရုံစိုက် lyricism ကိုအားဖြင့်တည်ဆောက်ထားသော, "Sunshine" အဆင့်မြင့်မားသောအဆင်ပြင်ဆင်မှု, အဆင်ပြင်ဆင်မှု, နှင့်ထောက်ပံ့ရေးကွန်ယက်များ၏တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆိပ်တံဆ

<pfseg id="0"> "ဒီကငါ့အချိန်မှာအများဆုံး groove-centric track ဖြစ်ပါတယ်" Chung ကပြောပါတယ်. "ဒါဟာငါ့အိမ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်ဂုဏ်

Lyrically, the song draws from Chung’s work in the mental health field and his experiences supporting individuals through long-term recovery. Written in part as a message to a family member navigating a difficult time, ‘Sunshine (You Know You Should)’ offers compassion without cliché, a gentle anthem for those struggling to keep going, urging them to “keep your head up and you’ll see the good.” As Chung explains, “sometimes music allows me to say what I can’t in conversation, to express care, to express hope, without needing to explain it all.”

The track also marks a moment of evolution in Chung’s solo catalogue, building on the lush sonic palette of his debut album Neon Coast while stepping confidently into richer, more rhythm-driven territory. Produced by D. Scobie (VanIves, Becky Sikasa), the single strikes a balance between groove and groundedness, nostalgia and forward motion. It is both a nod to Chung’s Californian upbringing and a testament to the collaborative, cross-cultural artistry he's cultivated in Scotland.

Following acclaimed performances at End of the Road Festival, SXSW and Union Chapel, collaborations with artists such as Into It. Over It., Jo Mango and The Magic Lantern, Chung continues to carve out a space that is unmistakably his own: genre-fluid, emotionally generous and grounded in a deep sense of human connection.

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