Briston Maroney Teams With Indie Rock Icon Ben Kweller For "Poor Things (Feat. Ben Kweller)"
Acclaimed singer-songwriter Briston Maroney is joining forces with indie rock icon Ben Kweller for the brand သီချင်းသစ်, “Poor Things (Feat. Ben Kweller),” available now via Atlantic Records ဤနေရာတွင်.
“Poor Things (Feat. Ben Kweller)” puts a fresh collaborative spin on “Poor Things,” one of the many standout tracks featured on Maroney’s recently released third studio album, Jimmy, ယခုရှိသမျှနေရာတွင် ဤနေရာတွင်
"ငါ Briston ၏နောက်ဆုံးဖြတ်တောက်ခြင်းနှင့်၎င်း၏ဂီတကိုသိခဲ့ပြီး, ငါကကျနော်တို့အလွန်ကောင်းမွန်သောမိသားစုဖြစ်လိမ့်မည်ကိုသိခဲ့သည်, "Ben Kweller ကပြောပါတယ်. "အဆိုပါအသစ်တစ်ဦးက rock artist ၏အသစ်အမျိုးအစားအတွက်အကောင်းဆုံးတစ်ခုဖြစ်ပါသည်, သင်တို့သည်ငါတို့သည်တစ်ဦးချစ်သောမိသားစုနှင့်အတူဆက်သွယ်ကြည့်ရှုကြည့်ရှုကြည့်ရှုကြည့်ရှုကြည့်ရှုကြည့်ရှုကြည့်ရှုကြည့်ရှုကြည့်ရှုကြည့်ရှုကြည့်ရှုကြည့်ရှုကြည့်ရှုကြည့်
JIMMY was co-produced by Maroney with Alex Farrar (Wednesday, MJ Lenderman, Waxahatchee), and the psychedelically-inspired album sees Maroney exploring the profound dichotomy of growing up in dual worlds as a child of divorce, shuttling between the devil-may-care spirit of his mother’s rural North Florida and the intensely pressured life of a Catholic school student in his dad’s Knoxville, TN. Highlights include such deeply personal, guitar-driven tracks as “Real Good Swimmer,” “Tomatoesနှင့် “Better Than You, အားလုံးအပေါင်းတို့သည်အဆိုပါအမှတ်တံဆိပ်အသံဗီဒီယိုများကို streaming Now at YouTube. Jimmy was met by a flurry of applause from such outlets as Consequence of Sound, FLOOD, Melodic Magazineနှင့် Ones To Watch, which hailed it as “a crescendo of possibilities, a visual novel set to music that rifts between silly imagination, profound introspection and cheeky self-awareness, a tribute to existing, to be oneself… အသိအမှတ်တံဆိပ်ကိုမြှင့်တင်ခဲ့ပါတယ်, အကြှနျုပျတို့အကြှနျုပျတို့အကြှနျုပျတို့အကြှနျုပျတို့အကြှနျုပျတို့အကြှနျုပျတို့အကြှနျုပျတို့အကြှနျုပျတို့အကြှနျုပျတို့အကြှနျုပျတို့အကြှနျုပျတို့အကြှနျုပျတို့အကြှနျုပျတို့အကြှနျုပျတို့အကြှနျုပျတို့အကြှနျုပျတို့အကြှနျုပျတို့အကြှနျုပျတို့အကြှနျုပျတို့
Maroney – who celebrated the arrival of JIMMY အဖြစ်ကမ္ဘာတစ်ဝှမ်းအမှတ်တံဆိပ်များအဖြစ် New York City ၏ The Rooftop at Pier 17, San Francisco, CA ၏ Bill Graham Civic Auditorium, Morrison, CO ၏ Red Rocks Amphitheatre, နှင့် Los Angeles, CA ၏ Greek Theatre အဖြစ်ကမ္ဘာတစ်ဝှမ်းအမှတ်တံဆိပ်များအပါအဝင် "Long Hair, Long Life Tour" ၏ co-headline အပေါ် Peach Pit နှင့်အတူကမ္ဘာဝှမ်းအပေါင်းတို့ကိုအလင်းအလင်းအားဖြင့်။th annual Briston Maroney Presents: Paradise, a three-night festival slated for Nashville, TN’s ‘The Blue Room’ on November 5-7. All three dates will feature a headline set from Maroney along with performances from Eden Joel, Cameron Schmidt, Harriette, ash tuesday, Michigander, and Bridey Costello. Tickets for Briston Maroney Presents: Paradise ဒီနေ့တွင် 10 AM (CT) အပေါ်ရောင်းချခြင်း။ ဤနေရာတွင်. For complete details, please visit www.bristonmaroney.com/#tour
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BRISTON MARONEY PRESENTS: PARADISE (4TH ANNUAL FESTIVAL)
November 5-7, 2025
အိမ်အိမ်, အိမ်အိမ်, အိမ်အိမ်, အိမ်အိမ်, အိမ်အိမ်, အိမ်အိမ်
NIGHT 1 – November 5
Briston Maroney
Eden Joel
Cameron Schmidt
NIGHT 2 – November 6
Briston Maroney
Harriette
ash tuesday
NIGHT 3 – November 7
Briston Maroney
Michigander
Bridey Costello
Connect with Briston Maroney:
At least at first, Briston Maroney didn’t want to call his explosive and engrossing third album JIMMY။ ဒါကြောင့်သင်တို့ကို သို့မဟုတ်သင်တို့ကို သို့မဟုတ် Jellyfish, အဆိုပါအမှတ်တံဆိပ်တစ်ဦးအနုပညာအမှတ်တံဆိပ်ကနေလျှပ်ခဲ့သည့်အခါသူမ၏ 9 နှစ်အတွင်း: "Jellyfish / The whole ocean / But nowhere to go" ၏အမှတ်တံဆိပ်ကနေလျှပ်ကနေလျှပ်ကနေလျှပ်ကနေလျှပ်ကနေလျှပ်ကနေလျှပ်ကနေလျှပ်ကနေလျှပ်ကနေလျှပ်ကနေလျှပ်ကနေလျှပ်ကနေလျှပ်ကနေလျှပ်ကနေလျှပ်ကနေလျှပ်ကနေလျှပ်ကနေလျှပ်ကနေလျှပ်ကနေလျှပ်ကန JIMMY, a song cycle about scraping the bottom of mental, social, and emotional barrels and holding on long enough to do what can sometimes seem like life’s true masterpiece: simply being yourself.
Maroney’s folks split up before he was a teenager. Like so many kids, he spent the rest of youth shuttling between two places. With his father in the small and quiet city of Knoxville, Tenn., he was relatively privileged but pressured, a Catholic school student on whom great expectations were placed. With his mother in north Florida, a landscape more raw and real than almost any other in the continental United States, he was surrounded by country folks who only seemed to give a damn about one another. They’d show up for oyster roasts and get red-wine drunk on Saturday, then be spiffy for church by Sunday morning.
Maroney didn’t fit in with either deme, really. He was the country guy who loved fishing at dams with his dad in Knoxville, the city slicker Catholic schoolkid back among the mangroves and slash pines. But he was drawn to the devil-may-care spirit of the Floridians, the folks who only wanted to look after each other and themselves. There was one man in particular—perpetually clad in denim shorts and a white Margaritaville T, occasionally a durag—that caught Maroney’s attention. Sure, maybe he was a redneck, but “he was a good friend who people loved,” Maroney remembers. He became the inspiration for JIMMY, for these songs about trying to be nothing more than yourself.
