Aaron Wyanski Releases 'Schoenberg: Drei Klavierstücke, Op. 11'

Aarron Wyanski, 'Schoenberg: Drei Klavierstucke, Op. 11', cover art
2024. gada 11. jūnijs 4:10 PM
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Aaron Wyanski, a well-known composer, pianist and musicologist based in Maine, continues his exploration of and homage to the great composer Arnold Schönberg with a new trio of works called SCHOENBERG: Drei Klavierstücke, Op. 11. Fascinated by Schönberg's compositions from a young age and his concept of atonality, this is Wyanski's third in a series of deep dives into the concept via the medium of jazz.

Known today as one of history's most famous music theorists, Arnold Schönberg's atonality theory (though he didn't much care for the actual term) and structure has been deemed one of the most influential on modern music, his compositions in the early 20th century giving way to the genre of jazz as we know it today, and forward into almost all genres which are popular today. If you like dissonance in your music of any kind, Schönberg is the one to thank.

Despite most of Schönberg's compositions still being largely in the classical style and set, Aaron Wyanski can easily feel the link between classical and jazz music via this concept of atonality. When it comes to experimental jazz and jazz fusion, it seems Wyanski really wanted to put it to the test with this series. SCHOENBERG: Sechs kleine Klavierstücke, Op. 19, SCHOENBERG Suite Op. 25 and the latest SCHOENBERG: Drei Klavierstücke, Op. 11 use Wyanski's mastery of atonality and dissonance, classical composition and jazz to create a truly new take on the old master's vision.

Atonālā mūzika sabrūk ar šo bināro. Vēsturiski konsonances tika teorētiski attaisnotas ar harmonisko overtone sēriju – fizisko parādību, kas ļauj mūsu uztveri par noteiktu pīķa. Tona harmonijas pamata celtniecības bloks ir triāde, kas sastāv no pirmajām trim dažādām notām overtone sērijā. Bet Schoenberg apgalvo, ka, tā kā faktiski katra piezīme ir klāt overtone sērijā, tikai tālāk pa līniju, atšķirība starp konsonanci un disonanci ir tikai viena no attiecībām – mākslīgā robeža. Tāpat kā ar lielāko daļu bināro, šis sabrukums atklāj, ka binārs bija nepatiess visu laiku. Man, tas ir viens no skaistākajām lietām par Visumu. Patiesībā tas

Saskaņā ar ideju ne tikai no Šenberga, bet arī ar citiem disonantiem un eksperimentāliem māksliniekiem, piemēram, Frank Zappa un Philip Glass, Wyanski kompozīcijām gandrīz ir music concrète sajūta viņiem, šķietami atdalītas kompozīcijas, kas arī griežas atpakaļ uz sevi. SCHOENBERG: Drei Klavierstücke, Op. 11 is a thought-provoking listen, but one which ultimately shows the intricacies of music, laid bare, rather than covering them up with melody or some illusion of continuum. If there's any continuum here, it's the infinity of music, and Wyanski wants us to hear it.

SCHOENBERG: Drei Klavierstücke, Op. 11 is out now. Stream on Spotify.

Aaron has also released another Schoenberg release titled "Two Pieces: Op. 33 and 33B."

Par mums

Aaron Wyanski is a composer, pianist, and speculative musicologist working in, and in between, the creative practices of jazz, classical, mid-century lounge, and free improvisation. He might be the only person who can say that they've had compositions premiered at Carnegie Hall, destroyed an instrument onstage at CBGBs, and backed a Sinatra impersonator at a Florida aquarium. Wyanski distills his wide-ranging and stylistically diverse experience into a deeply personal artistic voice that explores memory, perspective, and vulnerability.

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Aarron Wyanski, 'Schoenberg: Drei Klavierstucke, Op. 11', cover art
Atbrīvošanas kopsavilkums

Aaron Wyanski, a well-known composer, pianist and musicologist based in Maine, continues his exploration of and homage to the great composer Arnold Schönberg with a new trio of works called SCHOENBERG: Drei Klavierstücke, Op. 11.

Sociālie mediji