9.0/10 - Bad Bunny's "Nadie Sabe Lo Que Va a Pasar Mañana" Album Review

When Bad Bunny dropped this album on a superstitious Friday the 13th, he set the mood for something special. The Puerto Rican artist, also known as Benito Antonio Martínez Ocasio, has always been a wildcard, and this album keeps you on your toes.

The album kicks off with "Nadie Sabe," which feels like the opening credits to a movie about Bad Bunny's life. It's reflective and sets the tone for an album that's as much about asking questions as it is about finding answers. "Monaco" follows, blending genres and even giving a nod to Georgian-French tunes by Charles Aznavour, adding another layer of complexity.

"Fina," featuring Young Miko, is a standout. It's a mix of vulnerability and swagger that captures the essence of the album. "Teléfono Nuevo" adds a layer of intensity, thanks to a sudden, violent entrance by Luar la L.

The album takes you on a journey through "Hibiki," a track whose name loosely translates from Japanese as "echo" or "resonance," before arriving at "VOU 787," which mixes early Madonna's "Vogue" with references to his relationship with Kendall Jenner. "Europa :(" is a poignant track that might be a nod to 2019, when Bad Bunny canceled his European tour to join protests against Puerto Rican Governor Ricardo Roselló.

Just before the album's close, we encounter "Echo PR," a track that serves as a love letter to Bad Bunny's upbringing and the neighborhoods of Puerto Rico. It's a grounding moment, bringing us back to the roots of an artist who has soared to global heights but never forgotten where he came from.

The album closes with "Un Preview," a track that has already positioned itself at No. 2 on the Hot latīņu Songs chart as of October 14. It's a fitting end to an album that takes us on a journey through the mind and world of Bad Bunny—a journey that, much like the artist himself, defies easy categorization.

While nobody knows what will happen tomorrow, tonight it's all about Bad Bunny's album.