Briston Maroney Tim karo Indie Rock Icon Ben Kweller Kanggo "Poor Things (Feat. Ben Kweller)"
Acclaimed singer-songwriter Briston Maroney nggabungake kekuatan karo icon indie rock Ben Kweller kanggo single anyar, “Poor Things (Feat. Ben Kweller),” kasedhiya saiki liwat Atlantic Records HERE.
“Poor Things (Feat. Ben Kweller)” nyedhiyakake spin kolaboratif anyar ing “Poor Things,” salah siji saka sawetara trek standout ditemokake ing album studio ketiga Maroney, Jimmy, kasedhiya sadurunge saiki HERE
"@Sarane kaliyan aku ketemu Briston lan ndeleng musik-nya, aku ngerti kita bakal dadi teman-teman gedhe," ngandika Ben Kweller. "Itu salah siji saka paling apik ing genre rock artists anyar sing nglakoni torch saka sinis lan nyaring-nyaring sing njaluk kita duwe percakapan karo teman lama. 'Poor things' iku ode kanggo masa lalu kita lan kanggo keberanian kanggo maju malah nalika arah iku takwa."
JIMMY diprodhuksi dening Maroney karo Alex Farrar (Wednesday, MJ Lenderman, Waxahatchee), lan album-inspirasi psikedelic ndeleng Maroney ngleksanakake dikotomi sing mendalam saka dibesarkan ing donya dual minangka anak saka perceraian, shuttling antarane roh iblis-may-care saka rural Florida North saka ibu lan urip intensif tekanan saka mahasiswa sekolah Katolik ing Knoxville, TN ayu. Highlights kalebu sing banget pribadi, gitar-driven trek minangka "</pfseg>Waktu Ngluwi,” “Waktu Ngluwi,” lan “Better Than You,” kabeh ditambahake karo video musik resmi streaming saiki ing YouTube. Jimmy wis ditemokake karo flurry aplause saka outlets kayata Consequence of Sound, FLOOD, Melodic Magazine, and Ones To Watch, which hailed it as “a crescendo of possibilities, a visual novel set to music that rifts between silly imagination, profound introspection and cheeky self-awareness, a tribute to existing, to be oneself… heightened in awareness, deep in experiences that flesh out beautiful songs, but still full of the bright curiosity that made his music so wondrous off prior albums.”
Maroney – kang ngluwihi kedatangan JIMMY dengan ngluwihi kerumunan ing Amérika Utara kanthi Peach Pit ing co-headline "Long Hair, Long Life Tour," kalebu panghentian ing tempat-tempat kaya New York City's The Rooftop ing Pier 17, San Francisco, CA's Bill Graham Civic Auditorium, Morrison, CO's Red Rocks Amphitheatre, lan Los Angeles, CA's Greek Theatre - nyedhiyakake rencana kanggo 4th anual Briston Maroney Presents: Paradise, festival tiga malam sing dijadwalake kanggo Nashville, TN 'The Blue Room' ing November 5-7. Kabeh tiga tanggal bakal nduweni headline set saka Maroney karo pertunjukan saka Eden Joel, Cameron Schmidt, Harriette, ash tuesday, Michigander, lan Bridey Costello. Tiket kanggo Briston Maroney Presents: Paradise go ing penjualan saiki ing 10 AM (CT) HERE. Kanggo rincian lengkap, please visit www.bristonmaroney.com/#tour
.jpeg&w=1200)
BRISTON MARONEY PRESENTS: PARADISE (4TH ANNUAL FESTIVAL)
November 5-7, 2025
The Blue Room, Nashville, TN
NIGHT 1 - November 5
Briston Maroney
Eden Joel
Cameron Schmidt
NIGHT 2 – November 6
Briston Maroney
Harriette
ash tuesday
NIGHT 3 – November 7
Briston Maroney
Michigander
Bridey Costello
Koneksi karo Briston Maroney:
At least at first, Briston Maroney didn’t want to call his explosive and engrossing third album JIMMY. He wanted to call it Jellyfish, the name taken from a poem he wrote when he was nine: “Jellyfish/The whole ocean/But nowhere to go.” That was a year before Maroney wrote his first song and many years before he had the language to describe what he was feeling, depression. That poem was a pivotal moment for Maroney, since he suddenly understood that he could use art and self-expression—at that point, poetry; for the last two decades, mostly music—to help make sense of the turmoil in his mind, heart, and life. But Maroney eventually realized that the idea of the jellyfish was too hopeless for what’s actually happening on JIMMY, a song cycle about scraping the bottom of mental, social, and emotional barrels and holding on long enough to do what can sometimes seem like life’s true masterpiece: simply being yourself.
Maroney’s folks split up before he was a teenager. Like so many kids, he spent the rest of youth shuttling between two places. With his father in the small and quiet city of Knoxville, Tenn., he was relatively privileged but pressured, a Catholic school student on whom great expectations were placed. With his mother in north Florida, a landscape more raw and real than almost any other in the continental United States, he was surrounded by country folks who only seemed to give a damn about one another. They’d show up for oyster roasts and get red-wine drunk on Saturday, then be spiffy for church by Sunday morning.
Maroney didn’t fit in with either deme, really. He was the country guy who loved fishing at dams with his dad in Knoxville, the city slicker Catholic schoolkid back among the mangroves and slash pines. But he was drawn to the devil-may-care spirit of the Floridians, the folks who only wanted to look after each other and themselves. There was one man in particular—perpetually clad in denim shorts and a white Margaritaville T, occasionally a durag—that caught Maroney’s attention. Sure, maybe he was a redneck, but “he was a good friend who people loved,” Maroney remembers. He became the inspiration for JIMMY, for these songs about trying to be nothing more than yourself.
Heading 1
Heading 2
Heading 3
Heading 4
Heading 5
Heading 6
Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur.
Block quote
Ordered list
- Item 1
- Item 2
- Item 3
Unordered list
- Item A
- Item B
- Item C
Bold text
Emphasis
Superscript
Subscript
