
Dangane da ƙirƙirar wannan world-class ambient record na composer / sound artist Luke Elliott, na rubuta a yau don ƙirƙirar wannan ƙirƙirar da kuma m video don gaba singa, "Even The Moon Is Leaving."

More than just a beautiful accompaniment to a beautiful piece of music, wannan video evocatively reflects on Every Somewhere's theme of the relationship between humans and the greater natural world and presents a striking visual representation of the music's sense of natural soulfulness and cosmic concern a la Emily Sprague and Pauline Anna Strom. Every Somewhere ne Elliott's farko release tare da m Los Angeles ambient / experimental label AKP Recordings, kuma shi ne a kira kamfanin tare da Michelle Moeller, Ki Oni, Omar Ahmad, da sauran.
Luke Elliott, 'Even The Moon Is Leaving':
Luke Elliott ne mai ban sha'awa da mai ban sha'awa da mai ban sha'awa da mai ban sha'awa da aka kafa a Amsterdam. A kowane lokaci, a cikin gaba na AKP Recordings, Elliott yana amfani da sampling da kuma re-sampling, modular da kuma analog synthesizers don ƙirƙirar mai ban sha'awa.
Dangane wani tafiya gida zuwa Birtaniya a 2023, Elliott ya yi wani jerin yanar gizo, tare da manyan dubawa a cikin al'amari na al'amari. "The crossover tsakanin al'amari sauti da al'amari," Elliott ya ce, ya zama wani kwatanta, wani matsaloli na musamman, ko da "dubawa a cikin al'amari na mutane da kewaye tare da bird calls da breezes" ko ta ƙirƙirar al'amari na maritime organ na Zadar, mai girma da al'amari al'amari wanda ya yi amfani da music via sea waves passing through its tubes.
Babu da Every Somewhere ne mafi kyau, Elliott ya nuna shi a cikin "tallace-tallace." Interactions tsakanin mutane da mafi girma dabara duniya suna daidaita a cikin kyau ambient tapestries cewa za a yi waƙa ga fans na Dustin Wong, Joanna Brouk, ko Tim Hecker's middle side. Amma a cikin ƙaunar wannan shi ne mai ban sha'awa game da hanyoyin da ake canji - - ko tsanani. Elliott ya nuna a postcolonial yanayin, wani sha'awar tare da konsepti na Columbian canji, da kuma tsanani na colonialism.
But the aesthetic serenity, perhaps, emerges from a central optimism. In creating Every Somewhere, Elliott says, “I imagined a new planet, safe for everyone, unbound from the human societal structures that permitted how we live in our world today.” It is an exploration of what Elliott calls a “Pre-Death Cosmosis, in which we do not have to wait until death to achieve connection of unity with the cosmos. It is not a distant dream but a present reality, waiting to be embraced.”
Voyaging patiently and thoughtfully between organic and digital textures, Every Somewhere vividly evokes a sense of wonder and an immutable freedom to imagine. These qualities are the soul of this music, sharing something profound in common with the work of Pauline Anna Strom.
Luke Elliott’s greatest strength is his ability to imagine. And Every Somewhere is indeed the sound of an artist imagining, dreaming of, and focusing on an alien world which could be our own.

Clandestine aka kafa a 2010 da masana'antu na Northern Spy Records don taimakawa da makamashi da masu kwarewa da kuma kwarewa don samar da music. A yau, muna ci gaba da ƙirƙirar tawagar project managers, tallace-tallace ma'aikata, masana'antun masana'antun, da kuma masana'antun masu kwarewa da suka samar da shekaru na music da label kwarewa ga abokan ciniki. Muna ƙirƙirar a cikin masana'antu da sabis na kwarewa da kwarewa da kuma, a cikin shekaru 14 da suka wuce, suna taimakawa don samar da fiye da miliyan albums.

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