
Kuma, Finnish electronic alt-pop artist Conchis ya shirya abokan ciniki a cikin al'umma da ‘Cray Cray’, munawa a cikin al'umma, Chapters. Yanzu shi ne lokaci na 'Trouble' don ƙirƙirar game da Conchis' ciniki m na lantarki, pop, da kuma gwaji music.
Dangane wasu rubutu na Chapters, Conchis rarraba a kan wani mahimmanci na kowane kyau al'amari - mahimmanci. Duk da haka, wannan ba ne mai ban mamaki romances, har ma'aikata ta ci gaba da ƙaunar al'amari ta hanyar rarraba cikin kwarewa na ban sha'awa da ke ba da ƙarfi fiye da abin da ke dace.
"A'akari, ina da ƙaddamar da mutane da ba da bukatun ga ku. 'Trouble' ne wani ƙaddamar da wannan al'amari da kuma kamar yadda na da yaushe ga wasu nau'i ba tare da san mafi kyau. Yana da game da ƙirƙirar da ƙirƙirar a cikin jima'i da kuma yadda za mu aiki a kan mu mafi kyau hukunci," Conchis ya ce.
A matsa lissafi na tsakiya na Chonchis' central lyric “don’t play with fire,” yana samar da shawarar da kuma matsa lissafi. Mu duba da ƙananan ƙananan ƙarfi na motoci, kuma duk da haka yana da wani na'ura mai ban sha'awa a cikin motoci, tare da waɗannan dancing flames da waɗannan bugawa. Wannan bugawa images da aka ƙaddamar da matsa lissafi da aka tsara don haifar da lissafi na motoci. Working tare da samarr Jonas Verwijnen, has imbued each track on the album with an element, depending on the song, so that listeners could tacitly feel and experience the lyrics and themes.
Further explaining the thematic production and sampling process, Conchis shares: “The different elements in tarot—earth, water, fire, and air—all represent different things: earth symbolizes material aspects, physical health, work, finances, and practicalities; water represents emotions, intuition, relationships, love, and the subconscious; fire represents energy, creativity, passion, ambition, action, and inspiration; air represents intellect, communication, conflict, truth, and mental clarity. We then used a few samples from those elements in each song and tried to make it sound e.g. “airy” in an air song, “earthy” in an earth song, etc. We didn’t use too many samples, though, so that the end result wouldn’t become gimmicky. The listener might not even notice them, but for us, it was a way to work on the tracks without relying on other artists’ music as references—instead, we talked about making a track sound more like a specific element. Some samples on the album are really subtle, like clicking stones together or making a shaker out of twigs or gravel. Those can sound exactly like a normal shaker or a snare sample. I remember it was a really hot summer day when I went out into the forest and picked stones, gravel, branches, etc., and then recorded them. Some samples I found from a sample bank—e.g., the sound of lava or fire from a lighter. I liked combining the more analog sounds with the otherwise quite electronic sounds.”
Not only do these visceral sonic elements add to the intensity of ‘Trouble’, but Conchis’ potent vocal performance also portrays the emotional rawness and dark energy of this track. In those verses, her voice (and perhaps her heart) sounds guarded; reproachful of the unknown trouble that might lie ahead. By contrast, her vocals on the chorus transform into a siren-esque call, which reaches towards the listener through the rich matrix of electronica.
Not only do these visceral sonic elements add to the intensity of ‘Trouble’, but Conchis’ potent vocal performance also portrays the emotional rawness and dark energy of this track. In those verses, her voice (and perhaps her heart) sounds guarded; reproachful of the unknown trouble that might lie ahead. By contrast, her vocals on the chorus transform into a siren-esque call, which reaches towards the listener through the rich matrix of electronica.
Growing up in the Finnish archipelago, Conchis discovered her love for music at an early age. In the remote countryside, she nurtured her creativity and developed her own imaginative world. She started singing before she could even talk, picked up the violin at seven-years-old, joined a choir a few years later, and began writing her own songs with a guitar at age fifteen.
Conchis' forthcoming debut album, Chapters, delves into the depths of human psychology, exploring themes of loss, yearning, consumption, and desperation. Despite grappling with Chronic Fatigue Syndrome (ME/CFS) A lokacin da aka samar da album, Conchis daidaitacce da kuma canzawa. A cikin abin da ya iya ƙaddamar da takardun shaida shi ne ta ƙirƙirar kawai fiye da shaida a kowace song.
Dangane da cewa wannan shi ne mai ban sha'awa, da bukatun da ake bukata ya ƙirƙirƙirar album tare da sha'awar da kuma ƙarƙirar, wanda ya nuna tafiya ta hanyar magani da kuma artistic expressions. Named bayan wani sunan daga John Fowles' m roman, Ayyuka<pfseg id="0">, Conchis yana da sha'awar daga cikin bukatun da yaushewa na bukatun. Binciken ƙananan tsakanin magus na romanci da simbolism na tarot karatun, The Magician, ya ƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙirƙ

Ta ci gaba a cikin Finnish archipelago, Conchis ya samu sha'awar da music a cikin ma'aikata. A ƙasƙanci, ya ci gaba da halitta da kuma ci gaba da wani duniya na halitta. Ya fara ta fi so, ya sa da violin a cikin saba, ya zo a cikin gundumar da wasu shekaru da suka wuce, kuma ya fara rubuta da sha'awar da guitar a cikin mako.
Conchis yana ƙirƙirar ta music game da dikotomies na m da m, beauty da roughness. Ya eclectic style ƙirƙirar lantarki, pop, da kuma gwaje-gwaje music tare da tattoos na sinema soundcapes, samar da wani sauti wanda shi ne musamman da kuma m.

A Finland, Kieku ja Kaiku ne mai ban sha'awa karatun daga cikin 1950s, tare da dubban chickens saduwa mischief a kan ƙasa. Sunan su ne onomatopoeias ga rooster's crab-cock-a-doodle-doo, high, brash, da kuma mata-tallace. Finland's KIEKU RECORDS yana da sunansa daga wadannan non-official mascots, da aka ba da al'amuran daga kwanan nan, amma yana da wani muhimmanci al'amuran. Yana da lokacin da masana'antu ya rãya.

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